Accordions come in a variety of forms and styles. There are the diatonic
accordions, the chromatic accordions, the piano accordions and the
button accordion among others. The button accordion was adapted from the
simpler melodeon in the nineteenth century.
It has one more row of buttons than the melodeon and its pitch is set a
half a tone below or above the melodeon. It is also possible on the
accordion to get two notes out of one button by maneuvering the bellows a
certain way. This helps the player use less finger movement and allows
for more expression when playing.
There are many types of accordions under the button family. The
differences range from the keyboard structures, the tuning and the
construction of the instruments. A well know variety is the Diatonic
button accordion.
It comes with a melody sized keyboard and the keys are the notes of
diatonic scales. This can be just one. The bass of the Diatonic button
accordion almost always has the principal chords not excluding the root
notes of those chords.
Diatonic button accordions are usually bisonoric. This means that for
every button used there is two sounds that come out: one when the
bellows condensed and the other when they are expanded.
It is possible to get varieties that are unisonoric, like the garmon,
which plays the same note, no matter if the bellows are expanded or
contracted. Other varieties are able to function both as bisonoric or
unisonoric instruments.
Another notable button accordion is the chromatic. It has a melody sized
keyboard with rows of buttons that are arranged chromatically according
to pitch.
The bass of the keyboard is usually the Stradella system. This is a
converter system or a free bass system. Under the chromatic button
accordians you will find the Russian Bayan.
The chromatic button accordion is sometimes simply referred to as the
chromatic accordion. This is not technically the correct term because
other accordions, like the piano accordion are chromatic too.
The chromatic button accordion is a more popular accordion among
performers because the treble keyboard of the instrument is more dense.
This gives the player a wider range.
In various cultures today there has been a number of developments and
adaptations made to the button accordions. In Russia for example you
have such accords as the Saratovskaya, the Garmonica, the Livenka, the
Bayan , the Garmon to name a few.
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